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Famous Figures

Historical and fictional figures mapped to the sixteen values.

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Trust · OAJD
artist 20th century

Fred Rogers

His thirty-three years of consistent daily presence in the lives of children, offering the same unconditional message with no variation in quality or commitment, represent a Trust orientation applied to public care with extraordinary sustained reliability.

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Identity · OAJF
artist 20th century

Frida Kahlo

Her construction of a visual identity through her dress, her self-portraits, and her public persona that was simultaneously personal and political, and that she maintained consistently through severe physical suffering, reflects an Identity orientation of great intentionality.

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Connection · OACF
artist 20th century

Fred Rogers (connection)

His address to each child as fully known and unconditionally valued reflects a Connection orientation applied to developmental psychology, in which the quality of the bond between adult and child creates the safety for growth.

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Connection · OACF
artist 20th century

Mister Rogers (empathy)

His practice of sitting in silence with disabled children, giving them his full attention without agenda, reflects a Connection orientation in which the quality of presence rather than the quality of intervention is the primary offering.

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Identity · OAJF
artist 20th century

Jean-Michel Basquiat

Basquiat's documented insistence that his work was both formally sophisticated and politically specific - his simultaneous engagement with art historical traditions and his explicit representation of Black experience in those terms - and his refusal to allow his market success to neutralise his anger, reflect an Identity orientation in which the work's meaning is the self's meaning.

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Identity · OAJF
artist 20th century

Andy Warhol

Warhol's construction of a public persona as deliberately blank - the wig, the sunglasses, the monosyllabic interviews - and his documented investigation of what remains when surface is the whole content, reflect an Identity orientation that treated identity itself as the subject of the work.

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